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Feeling at home: Sound, affect and domesticity on radio soap operas

机译:在家里的感觉:在无线电肥皂剧上的声音,影响和家庭性

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This article introduces the concept of ‘the everyday implausible’, asserting that, between 1930 and 1960, US radio serial aesthetics produced a tug-of-war between the familiar and the unfamiliar that was simultaneously radical and reactionary. This aesthetic created a spacefor the listener to place new versions of herself within the narrative, inviting the imagined woman-at-home to re-envisioning the possibilities of reality. However, re-envisioning reality produced its own set of limitations. The sonic features of the radio serial soundscape created imaginaryspaces within the home, but these imaginary spaces were ‐ as often as not ‐ also homes, making the potential of escape wholly illusory. In giving attention to the specific aesthetic features of these programmes, this article interrogates the meaningful work produced by a sparsesoundscape, alongside an emphasis on domesticity and emotional conversation.
机译:本文介绍了“日常令人难以置信”的概念,提出,在1930年至1960年间,美国无线电串行美学在熟悉和不熟悉之间产生了一个拔河,同时激进和反动。 这种美学创造了听众的空间,以便在叙述中置于叙述中的新版本,邀请想象的女性 - 在家中重新设想现实的可能性。 但是,重新设想现实产生了自己的一组限制。 无线电串行声卡的声音特征在家中创建了虚构的空间,但这些假想的空间是 - 通常不是 - 也是房屋,使得逃脱的潜力完全没有幻象。 在关注这些方案的具体审美特征时,本文讨论了Sparsesoundscape的有意义的工作,同时强调家庭性和情绪谈话。

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