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Buddhist Influences on the Idea of the Unconscious

机译:佛教对潜意识观念的影响

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This article evaluates the role of Buddhism in helping to shape a key concept in psychology. The essay begins by deconstructing the synchronicity of Kant's publication of the Critique of Pure Reason with the formation of the Asiatic Society of Bengal by Sir William Jones. The implications of these two separate yet meaningfully related events, occurring within just a few years of each other, contribute to a re-vision of the word unconscious. With the influx of actual Sanskrit works, through the popular Asiatic Researches and other publications, the idea of the unconscious began to take on new value. Under the impact of a critical paradigm shift in Western thought via the work of Kant and the burgeoning science of comparative linguistics, the conception of unconscious thought processes is shown to have evolved semantically. This development is traced through a series of stages, identified as aesthetic, philosophical, and scientific. The aesthetic usage is exemplified in the Lyrical Ballads of Coleridge and Wordsworth, both of whom were familiar with Sanskrit literature. The philosophy of Arthur Schopenhauer, a student of Kant and an early champion of Buddhism, echoed Buddhist notions of dharma and pratitya samupada. The “revised” conceptualization of the unconscious then passed into a scientific stage, through psychological researchers such as Fechner and Wundt. This is followed by the clinical application of the concept within the school of psychodynamic psychology, characterized by Freud and Jung.
机译:本文评估了佛教在帮助塑造心理学中的关键概念方面的作用。本文首先从解构康德发表的《纯粹理性批判》与威廉·琼斯爵士成立的孟加拉亚洲学会的同步性。这两个相互独立但有意义的事件之间的相互影响,在短短的几年之内就发生了,它们导致了对无意识这个词的重新定义。随着大量梵文作品的大量涌入,通过流行的《亚洲研究》和其他出版物,无意识的想法开始具有新的价值。在通过康德的工作和新兴的比较语言学科学对西方思想进行批判性范式转换的影响下,无意识思想过程的概念在语义上得到了发展。这一发展经历了一系列阶段,分别是美学,哲学和科学。审美习惯的用法是在科尔里奇和华兹华斯的抒情歌谣中得到体现的,他们都对梵文文学很熟悉。康德的学生,佛教的早期拥护者亚瑟·叔本华(Arthur Schopenhauer)的哲学呼应了佛教关于佛法和萨摩帕陀经的观念。无意识的“经修订的”概念化随后通过诸如费希纳(Fechner)和旺德(Wundt)的心理学研究者进入了科学阶段。其次是这一概念在以弗洛伊德和荣格为特征的心理动力心理学学校中的临床应用。

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