ON THE PROTOTYPE AND 'LA FORME ACOUSTIQUE'IN LE CORBUSIER'S WORK FOR LA CHAPELLE DE RONCHAMP

摘要

This paper aims to elucidate the process of prototype generation in Le Corbusier's Chapelle de Ronchamp which resembles a sculptural method.In this case, he adapts" la forme acoustique" as a prototype for this site. However, this research investigates the organic transformaion of this prototype influenced by the surroundings. Finally, the chapel is a realization of a spatial order as a form-site relationship, however this relationship is already included in Le Corbusier's own notion of 'prototype'. That is to say, the universality of the 'prototype' evolves toward a general composition of the architectural landscape.