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The Picket Line Online: Creative Labor, Digital Activism, and the 2007-2008 Writers Guild of America Strike

机译:在线纠察队:创造性劳动,数字行动主义和2007-2008年美国罢工作家协会

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During the 2007-2008 Writers Guild of America (WGA) strike, feature and television writers turned to the digital sphere as a tactical strategy for representation, visibility, and promotion. While the growing interest in digital distribution was the impetus for this strike, it was also the medium that enabled writers to successfully communicate with each other, with the media industry, and with the general public. This article examines three major strategies deployed by WGA leadership during the strike that revitalized the Guild and facilitated their ability to work as a unified front during their labor struggle with the multinational corporations that control creative production in Hollywood.View full textDownload full textRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/15405700903502387
机译:在2007-2008年美国作家协会(WGA)罢工期间,故事片和电视作家转向数字领域,以此作为代表,知名度和晋升的战术策略。尽管人们对数字发行的兴趣日益浓厚,这是这次罢工的动力,但它也是使作家能够与彼此,与媒体行业以及与公众进行成功交流的媒介。本文探讨了WGA领导在罢工期间采取的三项主要战略,这些战略使公会振兴,并促进了他们与与控制好莱坞创意生产的跨国公司进行劳动斗争时作为统一战线的能力。查看全文下载全文相关的var addthis_config = {ui_cobrand:“ Taylor&Francis Online”,servicescompact:“ citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,更多”,发布:“ ra-4dff56cd6bb1830b”};添加到候选列表链接永久链接http://dx.doi.org/10.1080/15405700903502387

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