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SACRED ECHOES

机译:回声

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摘要

Kani Karaca isn't used to working in these conditions, but he gives it his best shot. The 75-year-old singer, one of Turkey's best known, is accustomed to hearing his songs resonate around Istanbul's grand mosques. But today he's in a studio with sound-absorbing walls, and his voice sounds deadened and uninspiring. Karaca's not about to throw a tantrum, though. His recording could be the key to preserving some of Turkey's finest buildings. The singer is involved in a project to prevent the mosques of Mimar Sinan, the master builder of the Ottoman Empire, from losing their splendid acoustics. Sinan lived from 1489 to 1588 and designed some of Ottoman Turkey's grandest mosques, including the stunning Sueleymaniye in Istanbul, or Constantinople as it was officially called back then. His mosques boast ornate facades and lavishly decorated interiors, but there's more to them than just visual beauty. Sinan also took unprecedented care over the acoustics so that songs, prayers, preaching and recital―all central to the life of a mosque―would carry.
机译:卡尼·卡拉卡(Kani Karaca)不习惯在这些条件下工作,但他尽了最大努力。这位75岁的歌手是土耳其最著名的歌手之一,习惯于听到他的歌曲在伊斯坦布尔的大清真寺周围产生共鸣。但是今天他在一个有吸音墙的工作室里,他的声音听起来沉闷而毫无启发。不过,卡拉卡不会发脾气。他的录音可能是保存土耳其一些最好的建筑的关键。这位歌手参与了一个项目,以防止奥斯曼帝国的主要建造者米马尔·西南(Mimar Sinan)的清真寺失去其出色的声学效果。锡南生活于1489年至1588年,设计了奥斯曼土耳其最宏伟的清真寺,包括伊斯坦布尔令人惊叹的Sueleymaniye或当时被正式称为君士坦丁堡的君士坦丁堡。他的清真寺拥有华丽的外墙和豪华的内饰,但不仅仅是视觉美感。思南还对声学进行了空前的照顾,以便携带歌曲,祈祷,讲道和独奏会,这些对于清真寺的生活至关重要。

著录项

  • 来源
    《New scientist》 |2002年第2334期|p.42-45|共4页
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  • 作者单位
  • 收录信息 美国《科学引文索引》(SCI);美国《化学文摘》(CA);
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 自然科学总论;
  • 关键词

  • 入库时间 2022-08-18 02:57:22

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