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Beginnings of song in young deaf children using cochlear implants: the song they move, the song they feel, the song they share

机译:使用人工耳蜗的年轻聋哑儿童的歌曲开头:他们移动的歌曲,他们感受到的歌曲,他们分享的歌曲

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This paper focuses on the singing activity of prelingually deaf children under four years of age who are using cochlear implants (CIs) and presents a strand of a larger study that aimed to observe, record and analyse the musical activity of seven profoundly deaf children using CIs in the UK, for a period of one calendar year. The singing activity of deaf children has been the focus of only a limited number of studies. This paper presents the singing behaviour of very young deaf children viewed as a holistic, communicative experience and part of their general music-making that develops in time and in the company of others. In this paper, I analyse one example from the data and discuss various parameters that are involved in song openings of deaf children: the presence of significant others, preference for song material, reproduction of the structural aspects of song, kinesthetic and emotional involvement in singing and re-enactment of song experiences in the children's own private spaces.View full textDownload full textKeywordscochlear implants, singing, early childhood music, prelingually deaf children, profound deafnessRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/14613808.2010.505643
机译:本文重点介绍了使用人工耳蜗(CI)的4岁以下聋哑儿童的歌唱活动,并提出了一项较大的研究,旨在观察,记录和分析7名使用CI的重度聋儿童的音乐活动在英国,为期一个日历年。聋儿的歌唱活动仅是少数研究的重点。本文介绍了很小的聋哑儿童的唱歌行为,将其视为一种整体的,交流的经验,并作为他们随着时间的推移以及与他人一起发展的一般音乐创作的一部分。在本文中,我从数据中分析了一个示例,并讨论了聋哑儿童的歌曲开头所涉及的各种参数:其他重要参数的存在,对歌曲材料的偏爱,歌曲结构方面的再现,动觉和情感参与唱歌并在儿童自己的私人空间重演歌曲体验。 ,netvibes,twitter,technorati,可口,linkedin,facebook,stumbleupon,digg,google,更多”,发布:“ ra-4dff56cd6bb1830b”};添加到候选列表链接永久链接http://dx.doi.org/10.1080/14613808.2010.505643

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  • 来源
    《Music Education Research》 |2010年第3期|p.281-297|共17页
  • 作者

    Maria Yennaria*;

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  • 入库时间 2022-08-17 13:13:36

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