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Portrait of a Reader

机译:读者肖像

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Walk into Michael Dirda's home in suburban Maryland, and a palpable passion for books animates almost every room. In the living room the poetry of Auden, Dickey, and Stevens vies for space with multiple editions of Nabokov's Lolita. In the bedroom, volumes of ghost stories and the supernatural bump up against row after row of books by his favorite literary critics, Cyril Connolly and Edmund Wilson. Another room upstairs holds shelves of intellectual history, while in the basement stacks of Eudora Welty tilt against leaning towers of Henry James. Clearly, Dirda's lifetime has been devoted to reading. After 25 years as a writer and editor at the Washington Post Book World, this Pulitzer Prize-winning critic has mastered the skill of remaining receptive to all kinds of books. His columns and reviews carry a deeply personal tone and his readers may easily sense that he cares ardently about each work of literature he writes about.
机译:走进位于马里兰郊区的迈克尔·迪尔达(Michael Dirda)的家中,对书本的热爱使几乎每个房间都充满生气。在客厅里,奥登,迪基和史蒂文斯的诗歌与纳博科夫的《洛丽塔》不同版本争夺空间。在卧室里,他最喜欢的文学评论家西里尔·康诺利(Cyril Connolly)和埃德蒙·威尔逊(Edmund Wilson)将大量的鬼故事和超自然的事物逐排摆放。楼上的另一个房间里摆放着思想史的书架,而在地下室中,尤多拉·韦尔蒂(Eudora Welty)则倚靠亨利·詹姆斯(Henry James)的斜塔。显然,迪尔达(Dirda)的一生致力于阅读。在《华盛顿邮报》世界担任作家和编辑25年之后,这位获得普利策奖的评论家掌握了保持接受各种书籍的技巧。他的专栏和评论带有很深的个人基调,他的读者很容易感觉到他对他撰写的每本文学作品都非常热心。

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