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In our latest glimpse into the creative mind, FX readers discover how the art found in the National Portrait Gallery and Tate's permanent collections has inspired Carlos Virgile

机译:在我们最新一瞥进入创造性的思维中,FX读者发现国家肖像画廊和泰特的永久系列中的艺术品如何启发Carlos Virgile

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I always ensure making a detour to see this painting when I visit the National Gallery. 'Venus and Cupid' is about a hyper image of beauty. It is somehow disturbing in its erotic beauty, with the narrative being obscure and enigmatic, almost ambivalent. But beauty can be as disturbing as a Francis Bacon work. In his Three Studies for Figures at the Base of a Crucifixion, at Tate Britain, the figures are shocking - half animal, half human - but there is also an element of beauty in the image, the structure, the intensity of its colour. It is not for the fainthearted but I'm always struck by its power and passion.
机译:当我访问国家美术馆时,我总是确保绕过这幅画。 '维纳斯和丘比特'是关于美丽的超图像。它的色情美容是不知何故,叙述是模糊和神秘的,几乎矛盾的。但美容可以像弗朗西斯培根工作一样令人不安。在他三个关于钉十字架的数字的研究中,在泰特英国,这些数字是令人震惊的 - 半动物,半人类 - 但是图像中的美丽元素,结构,其颜色的强度。它不是为了胆怯,但我总是被力量和激情震惊。

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    《FX》 |2021年第janaafeba期|72-73|共2页
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