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Graphic Novels

机译:图文小说

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摘要

This column includes two examples of excellent graphic nonfiction (a term I prefer to the rather self-contradictory nonfiction graphic novel). Stan Mack's Janet & Me is a partly text, partly cartoon account of his partner's struggle with breast cancer, while Jim Ottaviani & Leland Purvis's Suspended in Language, an account of the life and work of physicist Niels Bohr, is partly biography, partly history, and partly an explanation of 20th-century physics theories. Autobiographical comics, such as Harvey Pekar's American Splendor and Marjane Satrapi's Persepolis, are not uncommon. But the comics form has also been used to great effect to present other nonfiction work, from Safe Area Gorazde, comics journalist Joe Sacco's report from the Bosnian war, to Rick Geary's true-crime "Treasury of Victorian Murder" series. Historical biographies in comics form range from Chester Brown's Louis Riel (about a 19th-century Canadian revolutionary) to Martin I. Green and Bill Sienkiewicz's Voodoo Child: The Illustrated Legend of Jimi Hendrix (o.p.).
机译:本专栏包含两个出色的非小说类小说实例(相对于自相矛盾的非小说类小说,我更喜欢用这个术语)。斯坦·麦克(Stan Mack)的《珍妮特与我》(Janet&Me)部分是文字,部分是他的伴侣与乳腺癌作斗争的卡通插图,而吉姆·奥塔维亚尼(Jim Ottaviani)和利兰德·普维斯(Leland Purvis)的《语言的悬浮》,是物理学家尼尔斯·玻尔(Niels Bohr)的著作,部分是传记,部分是历史,部分解释了20世纪的物理学理论。自传漫画,例如哈维·佩卡(Harvey Pekar)的《美国辉煌》(American Splendor)和玛莉·萨特拉(Marjane Satrapi)的波斯波利斯(Persepolis),并不罕见。但是漫画形式也已被用来展示其他非小说类作品,从安全区戈拉兹德(Safe Area Gorazde),漫画记者乔·萨科(Joe Sacco)在波斯尼亚战争中的报道到里克·盖里(Rick Geary)的真实犯罪“维多利亚谋杀宝藏”系列。漫画的历史传记形式从切斯特·布朗的路易·瑞尔(Louis Riel,约19世纪加拿大革命者)到马丁·格林和马丁·比恩·辛基维奇的《伏都教儿童:吉米·亨德里克斯的插图传奇》(o.p.)。

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