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Writing Landscape: An Inter-Disciplinary Symposium for Scholars in the Arts and Humanities

机译:写作风景:艺术与人文学科跨学科研讨会

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In March 2007, the first of a three-session conference, "Writing Landscape: An Inter-disciplinary Symposium for Scholars in the Arts and Humanities," gathered in London to explore "the relationship between landscape and creative writing." The audience was made up, for the most part, of academics from the disciplines of geography and English literature from the University of Exeter in Cornwall, a number of garden historians from London and Iceland, and one landscape architect from Norway rounded out the audience. Supported by a grant from the Arts and Humanities Research Council and organized by Catherine Brace and Adeline Johns-Putra of the University of Exeter, the conference actually demonstrated the frequently-stated need for disciplines to learn from each other. Specifically, it suggested that geographers could benefit from the theoretical sophistication of literary academics, while literary critics could benefit from an expansion of their field. On the one hand, several participants remarked that the geographers seemed two centuries behind the times in theoretical matters. On the other, the literary scholars shone at theory—in part because their sources were themselves concerned with theoretical issues—but these sources all too frequently seemed limited to the Romantic poets. Would we be stuck, all day long, in the intellectual milieu of, say, 1807?
机译:2007年3月,由三部分组成的会议的第一个会议“写景观:艺术与人文学科跨学科研讨会”在伦敦聚集,探讨“景观与创意写作之间的关系”。观众大部分是由来自康沃尔埃克塞特大学的地理和英语文学专业的学者,来自伦敦和冰岛的许多花园历史学家以及来自挪威的一位景观设计师组成的。在艺术与人文研究委员会的赠款支持下,由埃克塞特大学的凯瑟琳·布雷斯(Catherine Brace)和阿德琳·约翰斯·普特拉(Adeline Johns-Putra)组织的会议实际上表明了人们经常要求各学科相互学习。具体而言,它表明地理学家可以从文学学者的理论成熟度中受益,而文学评论家可以从其领域的扩展中受益。一方面,几位与会者指出,地理学家在理论问题上似乎落后了两个世纪。另一方面,文学学者对理论视而不见-部分是因为他们的来源本身就与理论问题有关-但是这些来源似乎过于频繁地局限于浪漫主义诗人。我们会整日陷入1807年的思想环境吗?

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