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Monumentality in Etruscan and Early Roman Architecture: Ideology and Innovation

机译:伊特鲁里亚人和罗马早期建筑的丰碑:意识形态与创新

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This volume is a collection of papers derived from a 2009 colloquium on Etruscan and early Roman monumentality organized to mark the retirement of Ingrid Edlund-Berry from the University of Texas at Austin. Monumentality was a central theme in both Etruscan and early Roman architecture, and the origins of this commitment to colossal scale, as well as its related decoration, symbolic meanings, and necessary technologies, is a topic that lies at the foundation of the development of later Roman architecture. The subject of monumentality is not purely tectonic in nature; as Bruce Trigger has argued, the universality of monumental-ism in the architecture of complex societies can be understood through its enduring reflection of power over materials, specialized skills, and mass labor by patron elites. The most successful contributions to Monumentality in Etruscan and Early Roman Architecture address this relationship between architecture and its social and political structures.
机译:该书集取材自2009年关于伊特鲁里亚人和罗马早期纪念碑的学术讨论会,以纪念英格丽·埃德隆·贝里从德克萨斯大学奥斯汀分校退休。纪念性是伊特鲁里亚和早期罗马建筑的中心主题,这种对巨大规模的承诺的起源,及其相关的装饰,象征意义和必要的技术,是后来发展的基础。罗马建筑。纪念性的主题在本质上并非纯粹是构造性的;它是一个自然界。正如布鲁斯·特里格(Bruce Trigger)所论证的那样,纪念碑主义在复杂社会体系中的普遍性可以通过对赞助精英们对材料,专业技能和大量劳动的持久性反映来理解。伊特鲁里亚和罗马早期建筑对纪念性的最成功贡献解决了建筑与其社会和政治结构之间的这种关系。

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