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The Power of Quiet: Re-making Affective Amateur and Professional Textiles Agencies

机译:安静的力量:重塑有影响力的业余和专业纺织品代理商

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This article advocates an enlarged understanding of the benefits of manual creativity for critical thinking and affective making, which blurs the boundaries, or at least works in the spaces between or beyond differential definitions of amateur and professional craft practices and identities. It presents findings from the Arts and Humanities Research Council (AHRC) funded project: Co-Producing CARE: Community Asset-based Research & Enterprise. CARE worked with community groups (composed of amateur and professional textile makers) in a variety of amateur contexts: the kitchen table, the community cafe, the library, for instance, to explore how critical creative making might serve as a means to co-produce community agency, assets and abilities. The research proposes that through "acts of small citizenship" creative making can be powerfully, if quietly, activist. Unlike more familiar crafts activism, such "acts" are not limited to overtly political and public manifestations of social action, but rather concern the micro-politics of the individual, the grass roots community and the social everyday. The culturally marginal, yet accessible nature of amateur crafts becomes a source of strength and potential as we explore its active, dissenting and paradoxically discontented aspects alongside more frequently articulated dimensions of acceptance, consensus and satisfaction. Informed by work on cooperation, DIY citizenship, critical making, and theories of embodied and enacted knowledge, the authors interpret findings from selected CARE-related case studies to explicate various ways in which "making" can make a difference by: providing a safe space for disagreement, reflection, resolution, collaboration, active listening, questioning and critical thinking, and offer quiet, tenacious and life-enhancing forms of resistance and revision to hegemonic versions of culture and subjectivity.
机译:本文主张对手工创意对批判性思维和情感制作的好处有更深入的了解,这会模糊界限,或者至少在业余和专业手工艺实践与身份的不同定义之间或超出其定义的空间中工作。它介绍了艺术与人文研究委员会(AHRC)资助的项目:共同生产的CARE:基于社区资产的研究与企业的发现。 CARE与社区团体(由业余和专业纺织品制造商组成)在各种业余环境中进行了合作:例如,餐桌,社区咖啡厅,图书馆,以探索关键的创意制作如何作为共同生产的手段社区机构,资产和能力。该研究提出,通过“小市民行为”,创造性的创造可以强有力地,甚至安静地成为激进主义者。与更熟悉的手工艺品活动主义不同,此类“行为”不仅限于社会行为的公开政治和公开表现,还涉及个人,基层社区和日常社会的微观政治。随着我们探索其活跃,反对和矛盾的不满方面,以及更频繁地表达出接受,共识和满意度的维度,业余手工艺品的文化边缘性但可访问的性质成为力量和潜力的来源。通过合作,DIY公民身份,批判性制作以及具体化的知识和实践知识的理论,作者对选定的与CARE相关的案例研究的结果进行解释,以阐明“制造”可以通过以下方式有所作为的各种方式:提供安全的空间反对,反思,解决,协作,积极倾听,质疑和批判性思考,并提供安静,顽强和增强生活的形式,抵制和修正霸权文化和主观性。

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