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Autism Crises: Music Therapeutic Practice & Research at the Social Care Centre Tloskov, Czech Republic. A Short Report

机译:自闭症危机:捷克共和国特洛斯科夫社会护理中心的音乐治疗实践与研究。简短报告

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CSS Tloskov is a social pediatric care center and a leading institution in the Czech Republic. Sixty-five percent of its clients are diagnosed with autism spectrum disorder (ASD) and receive usually music therapy as a main constituent of individually designed pedagogical and therapeutic programs. In contrast to numerous music therapeutic concepts that are based on musical improvisation, the Tloskov model advocates a complex approach involving favorite songs, instrumental improvisation, and body-oriented modalities such as muscle relaxation and breathing techniques. Clinical analyses allow us to distinguish typical psychiatric exacerbations in our ASD-clients. These "autistic crises" comprise an "onset phase," a "gradation phase," a "culmination phase," and a "subsiding phase," which can be partly controlled by music therapeutic interventions. On the basis of Grounded Theory we used qualitative methods to examine system compatibility between clinical data and the 4-phase autism crisis theory and to generate hypotheses about mechanisms of successful music therapy. Outcomes involve five main principles: identification and avoidance of specific stimuli and cues that trigger autism crises; direct musical "sedation "; acquisition of music-behavioral skills to "auto-regulate" pathological developments; and a sort of music therapeutic emotional re-balancing and consolidation of an inner equilibrium. The "right moment" of intervention and adjustment of musical experiences within a narrow range of the client's aesthetic-emotional intensity tolerance are critical to therapeutic outcomes. Possible music therapeutic contra-indications have to be taken into consideration.
机译:CSS Tloskov是一家社会儿科护理中心,也是捷克共和国的领先机构。 65%的客户被诊断出患有自闭症谱系障碍(ASD),并通常接受音乐治疗,这是单独设计的教学和治疗计划的主要组成部分。与基于即兴演奏的众多音乐治疗概念相反,Tloskov模型提倡一种复杂的方法,其中包括喜欢的歌曲,器乐即兴演奏和面向身体的方式(例如肌肉放松和呼吸技术)。临床分析使我们能够区分ASD客户中典型的精神病发作。这些“自闭症危机”包括可以通过音乐治疗干预部分控制的“发作阶段”,“渐进阶段”,“高潮阶段”和“消沉阶段”。 。在扎根理论的基础上,我们使用定性方法检查了临床数据与四阶段自闭症危机理论之间的系统兼容性,并就成功的音乐疗法的机制提出了假设。结果涉及五项主要原则:识别和避免引发自闭症危机的特定刺激和提示;直接音乐剧《镇静》;获得音乐行为技能以“自动调节”病理学发展;以及一种音乐治疗性情感的重新平衡和内部平衡的巩固。在患者审美情感强度容限的狭窄范围内干预和调整音乐体验的“正确时刻”对治疗效果至关重要。必须考虑可能的音乐治疗禁忌症。

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