首页> 外文期刊>Journal of Musicological Research >Late Beethoven and “The First Power of Inspiration” in Brahms's Variations on an Original Theme, Op. 21, No. 1
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Late Beethoven and “The First Power of Inspiration” in Brahms's Variations on an Original Theme, Op. 21, No. 1

机译:贝多芬晚期和勃拉姆斯对原始主题的变奏中的“灵感的第一力量”,作品集。 1号21

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Two critiques of Brahms's Variations on an Original Theme, Op. 21, No. 1, written by Joseph Joachim in letters to the composer, show that the form of this work passed through at least three distinct versions. A hitherto overlooked remark by Clara Schumann suggests that the variations were essentially finished by the end of 1858. An examination of the music reveals the influence of Joachim's Variations on an Original Theme, Op. 10, and the variation movement of Beethoven's Piano Sonata, Op. 111, the latter serving as an antecedent especially for Brahms's eleventh variation and coda.View full textDownload full textRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/01411896.2011.563374
机译:勃拉姆斯对原始主题变奏的两种批评,作品。约瑟夫·乔阿希姆(Joseph Joachim)在给作曲家的信中写道,《 21号》(第1号)表明,该作品的形式至少经过了三个不同版本。迄今为止,克拉拉·舒曼(Clara Schumann)的一句话被忽视,这表明这些变化基本上是在1858年底完成的。对音乐的检查揭示了约阿希姆(Joachim)的变化对原始主题Op的影响。 10,以及贝多芬钢琴奏鸣曲的变化乐谱,作品111,后者是勃拉姆斯的第11个变体和尾声特别适用的先行词。查看全文下载全文相关的变量add add_id ,stumbleupon,digg,google,more“,发布号:” ra-4dff56cd6bb1830b“};添加到候选列表链接永久链接http://dx.doi.org/10.1080/01411896.2011.563374

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