机译:依靠勃拉姆斯的节奏:从字面意义上看,海顿(Haydn)的主题“变奏曲”中的意大利术语
Appointed music director of a professional orchestra at the age of 22, Jonathan Andrew Govias has since earned a doctorate in orchestral conducting and performed with orchestras worldwide, including his debut in June 2009 with Canada’s National Arts Centre Orchestra. A member of the inaugural class of Abreu Fellows at New England Conservatory, he has also established an international reputation for his work on the theory and practice of music as an agent of social change, based on his work as a conductor, consultant and educator on four continents. jonathan.govias{at}gmail.com;
机译:贝多芬晚期和勃拉姆斯对原始主题的变奏中的“灵感的第一力量”,作品集。 1号21
机译:音乐品味的巨大转变:从海顿到勃拉姆斯的音乐会编程。威廉·韦伯(William Weber)。
机译:威廉·韦伯(William Weber),“音乐品味的巨大转变:从海顿到勃拉姆斯的音乐会编程”
机译:托斯卡纳(意大利)与地热蒸汽的发电,用于托斯卡纳(意大利)分析技术特征,项目主题和运作结果
机译:开发变化技术对Brahms早期钢琴独奏的影响,以主题和变化的形式
机译:现在该重新考虑意大利脐带血网络的可持续银行业务模式了吗?
机译:李斯特,卢托斯拉夫斯基,勃拉姆斯和拉赫玛尼诺夫的钢琴变奏曲,主题是帕格尼尼