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Acting Intuition into Sense: How Film Crews Make Sense with Embodied Ways of Knowing

机译:表演直觉是有意义的:电影船员如何用具体的方式造成意义

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This study contributes to a holistic understanding of sensemaking by going beyond the mind-body dualism. To do so, we focus analytically on a phenomenon that operates at the nexus of mind and body: intuition. By observing four film crews, we unpack how people act their intuition into sense - that is, how they transform, through action, an initial sense (intuition) that is tacit, intimate, and complex into one that is publicly displayed, simpler, and ordered (i.e., a developed sense). Our model identifies two sensemaking trajectories, each of which involves several bodily actions (e.g., displaying feelings, working hands-on, speaking assertively). These actions enable intuition to express a facet of itself and acquire new properties. This study makes three important contributions. First, it develops the holistic-relational character of sensemaking by locating it in the relations among multiple loci (cognition, language, body, and materiality) rather than in each one disjunctively. Second, it theorizes embodied sensemaking as a transformative process entailing a rich repertoire of bodily actions. Third, it extends sensemaking research by attending to the physicality and materiality of language in embodied sensemaking.
机译:这项研究通过超越思维体二元主义来促进对传感的全面了解。为此,我们分析上专注于在心灵和身体的Nexus经营的现象上:直觉。通过观察四部电影船员,我们打开了人们如何陷入意义上的方式 - 也就是说,它们如何通过行动转变为默许,亲密和复杂的初始意义(直觉),以公开展示,更简单,更简单订购(即宣告意义)。我们的模型识别两个传感轨迹,每个轨迹都涉及几种身体行动(例如,展示感情,工作,言论,言论自由)。这些操作使直觉能够表达本身的面部并获取新属性。这项研究提出了三个重要贡献。首先,它通过将其定位在多个基因座(认知,语言,身体和唯物质)之间的关系中而不是在每个分离的情况下来发展感觉的整体关系性质。其次,它理论为实现的变革过程所体现的,这是一种变革过程,其具有丰富的身体行动。第三,它通过参加体现激发的语言的物质和唯物性来扩展敏感研究。

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