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IN MEMORIAM FELIX ESCRIG PALLARES

机译:在MEMORIAM FELIX中写了PALLARES

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摘要

Today technology is an orphan once again, an absence difficult to cover in the current situation in which the recognition of the author's work is uniquely directed by trends and conveniences. But it is this uniqueness that leads us to recognize in these lines the enormous capabilities and contributions that will only be able to be appreciated turning to the past. There is no greater agility in thought, incessant activity, always impulsive open creativity, that exploration of the impossible, fragility of the architecture in which the principles of mass, volume and static seemed invulnerable, and they were removed from the person to whom we pay tribute today. Felix Escrig Pallares, Doctor of Architecture, Professor of Structures in the School of Architecture of Seville, considered by some an engineer, taught us to rely on lightweight architecture, large span, low cost, and easy to assemble. Just the pencil betrayed him: the ease in the stroke, either to solve a structural joint detail or to draw the graceful female silhouette for his literary texts, shows the architect he was.
机译:如今,技术再次成为孤儿,而在当前情况下难以弥补这一缺憾,在这种情况下,对作者作品的认可是唯一由趋势和便利所决定的。但是,正是这种独特性使我们认识到了这些方面的巨大能力和贡献,而只有过去,才能欣赏它们。在思想,不断的活动,总是冲动的开放式创造力方面没有更大的敏捷性,对建筑的不可能,脆弱性的探索似乎无懈可击,质量,体积和静态原理似乎无懈可击,而这些东西已从我们付钱的人中移除今天致敬。塞维利亚建筑学院建筑学博士,结构学教授Felix Escrig Pallares,经过一些工程师的考虑,教会了我们依靠轻量级建筑,大跨度,低成本和易于组装的特点。只是铅笔出卖了他:笔画的轻松度(解决结构上的关节细节或为他的文学作品画出优美的女性轮廓)向建筑师表明了他的身份。

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