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Hands on design: comparing the use of sketching and gesturing in collaborative designing

机译:动手设计:比较素描和手势在协同设计中的使用

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摘要

This study explored the remaining potential of gestures as creative tools for collaborative designing. We compared novice designers' use of sketching against gesturing in early ideation and rough visualisation. To preserve the kinesic character of gestures, we developed a detailed video analysis method, which revealed that the majority of sketching and gesturing was complementary to speech. Sketching was important for defining complicated structures, while gesturing was frequently used for all aspects of designing. Moreover, we identified that the level of collaboration – the level and immediacy of sharing one's ideas for others – is an important factor. As an underrepresented phenomenon in the design literature, the meaning of collaboration unearthed here leads to unmistakable conclusions regarding the nature of gesturing, to the process of learning design, and to the use of design tools. Most notably, gesturing offers a complementary creative dimension - kinaesthetic thinking - which invites us to communicate and share instantaneously.
机译:这项研究探索了手势作为协作设计的创新工具的剩余潜力。我们比较了新手设计师在早期构想和粗略可视化中对素描的使用与手势的对比。为了保留手势的运动特性,我们开发了一种详细的视频分析方法,该方法揭示了大多数素描和手势是语音的补充。草图对于定义复杂的结构很重要,而手势通常用于设计的各个方面。此外,我们确定了协作水平(即与他人共享想法的水平和即时性)是重要因素。作为设计文献中代表性不足的现象,此处发掘的协作含义导致有关手势的性质,学习设计的过程以及设计工具的使用的明确结论。最值得注意的是,手势提供了一种互补的创造力-动感思维-邀请我们即时交流和共享。

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