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Blackness, Animation, and the Politics of Black Fatherhood in The Cleveland Show

机译:克利夫兰表演中的黑人,动画和黑人父权政治

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In 2008, presidential candidate Barack Obama gave a Father’s Day speech in which he called for fathers to actively participate in their family’s lives. Obama’s remarks were taken by civil rights leader Jesse Jackson to be a moral chastisement of African Americans. Following Obama’s speech, Jackson was filmed making inappropriate remarks about Obama’s supposed intent and his desire to castrate the presidential hopeful. In the midst of the media firestorm surrounding Jackson’s remarks, African American animator Layron DeJarnette took the occasion to lampoon Jackson. Foregrounding this debacle is a mass-mediated negotiation of what it means to depict and negotiate representations of the black family in popular culture. In this paper, I examine connections between blackface minstrelsy, animation, and televised representations of the black family. I look specifically at The Cleveland Show, the Fox Network’s animated series depicting an African American family. I argue that the show lampoons blackness through a racial discourse while troubling black fatherhood through a sexual discourse.
机译:2008年,总统候选人巴拉克·奥巴马(Barack Obama)发表父亲节讲话,呼吁父亲积极参与家庭生活。奥巴马的言论被民权领袖杰西·杰克逊(Jesse Jackson)认为是对非洲裔美国人的道德追求。奥巴马发表讲话后,杰克逊被摄制,对奥巴马的意图和他to割总统的希望表达了不适当的言论。在围绕杰克逊言论的媒体大火中,非洲裔美国动画师莱龙·德雅纳特(Layron DeJarnette)借此机会嘲笑了杰克逊。这场灾难的根源在于大众传播媒介的协商,即在大众文化中描述和协商黑人家庭的代表意味着什么。在本文中,我研究了黑人面孔的表情,动画和黑人家庭的电视制图表达之间的联系。我特别看《克利夫兰秀》,这是福克斯电视台的动画系列,描绘了一个非洲裔美国人的家庭。我认为该节目通过种族话语嘲笑黑人,而通过性话语困扰黑人父亲。

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