Carnivalesque in Medieval Japanese Literature: A Bakhtinian Reading of eyama Shuten Dōji

Noriko Reider

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Carnivalesque in Medieval Japanese Literature: A Bakhtinian Reading of eyama Shuten Dōji

机译：中世纪日本文学中的狂欢节风格：eyama ShutenDōji的巴赫金主义读物

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Shuten Dōji [Drunken Demon], from the genre otogi zōshi or Companion Tales, is one of Japan''s most famous and popular medieval oni legends. While on the surface Shuten Dōji provides a potent literary example of good triumphing over evil, internal tensions in the text blur these distinctions. Thus, the representation of the Japanese imperial court and the noble warriors fighting on its behalf as the force of all that is ''good'' becomes a troubled one, because the voice of the doomed ''evil''oni resonates throughout the text as the voice of the marginalized other. To explicate this alternate viewing of the demon and to prize out the tensions within the text, this article examines Shuten Dōji through the lens of Mikhail Bakhtin''s concept of the Carnival.

机译：来自otogizōshi或Companion Tales风格的ShutenDōji（醉酒恶魔）是日本最著名和最受欢迎的中世纪oni传说之一。表面上，舒滕·道吉（ShutenDōji）提供了一个很好的文学作品，可以很好地战胜邪恶，但文本中的内部张力模糊了这些区别。因此，日本帝国宫廷的代表和代表其进行战斗的贵族战士作为“一切善良”的力量成为一个困扰的人，因为注定的“邪恶” oni的声音会在整个案文中引起共鸣。作为边缘人的声音。为了阐明对恶魔的这种交替观看并弥合文本中的紧张关系，本文通过米哈伊尔·巴赫金（Mikhail Bakhtin）狂欢节概念的镜头来考察ShutenDōji。

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《Japanese Studies》 |2008年第3期|383-394|共12页
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Noriko Reider;
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Miami University, USA;

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入库时间 2022-08-17 13:07:29

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Carnivalesque in Medieval Japanese Literature: A Bakhtinian Reading of eyama Shuten Dōji

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