本稿の目的は、近世京都における絵師の居所について、その実態を解明する端緒として、流派別に居住分布の傾向を看取し、さらに流派別の居住動向とパトロンとの関係性を考察することにある。近世京都の絵師については、並木氏注1）、田島氏注2）、武智氏注3）らによる研究があり、これらはいずれも、『平安人物志』を用いたものである。%The purpose of this paper is to realize the tendency to the distribution of painters' address by schools, and to deliberate whether to involve between the distribution of painters' address and patrons. The results are as follows: (l)Sizyo-school gathered on Sizyo-dori. (2)Maruyama-school gathered on Higasinakasuzi-dori after Koka. (3)Kisi-school gathered around Teramatihigasinodoin and on Itizyo-dori and Nakatatiuri-dori. (4)Hara-school gathered on Itizyo-dori and Nakatatiuridori. (5)Motidukrschool gathered a narrow area. (6)Kano-school showed a same tendency as Motiduki school after Tenpo. (7)Tosa"School gathered on Teramatimarutamati. (8)Turusawa-school divided into Turusawa, Yamamoto, and Isida. (9)The painter of letters gathered on outskirts.
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