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Playing projects: Identifying flow in the 'lived experience'

机译:玩项目:识别“现场体验”中的流程

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The purpose of this paper is to contribute to the 'lived experience' of projects discourse. The research study uses an arts-based research method (musical improvisation on a xylophone and/or glockenspiel) to access the participant's perception of their experience of managing a project. Participants are then asked to explain their improvisation and therefore their experience. Key findings were that participants described their 'lived experience' of project managing as having 'ups and downs', including challenges and issues, and as experiencing variations in emotions over the project lifecycle Csikszentmihalyi's flow theory is used to show that these 'lived experience' findings support a Heideggerian paradigm and personal perspective of what a project is. Projectness is not a characteristic of the activity itself. A project is a personal phenomenon defined in terms of the relationship between the individual or organisation and activity. It is dependent on capability versus the challenge presented by the activity. (C) 2015 Elsevier Ltd. APM and IPMA. All rights reserved.
机译:本文的目的是为项目话语的“真实体验”做出贡献。该研究使用基于艺术的研究方法(即兴演奏在木琴和/或钟琴上),以了解参与者对其项目管理经验的看法。然后要求参与者解释他们的即兴创作,并因此解释他们的经验。关键发现是,参与者将他们在项目管理中的“真实经历”描述为“起伏不定”,包括挑战和问题,并且在项目生命周期中经历了情感上的变化。Csikszentmihalyi的流程理论用来表明这些“真实经历”研究结果支持了海德格尔的范式和个人对项目的看法。投射性不是活动本身的特征。项目是根据个人或组织与活动之间的关系定义的个人现象。它取决于能力而不是活动提出的挑战。 (C)2015 Elsevier Ltd. APM和IPMA。版权所有。

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