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The Nodal Closet

机译:节点壁橱

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摘要

The synthesis of this text comes from a contemporary appraisal of the term "the closet" and its current place in culture since the advent of cybernetics. The authors'assertion is that this metaphor, one that is rooted in the iconography of the late-capitalist home, is in a moment of transition and constant redefinition. In this paper, the authors explore and assess three basic modern manifestations oj the homosexual rite of passage and how they have been rendered obsolete, adapted, or in some respects, catalyzed by new media and mobile technology. The charting of these changes is evaluated as a 'nodal phenomenon within queer culture and is paired with Michel Foucault's notion of heterotopia to better explore the spatial qualities of this shifting circumstance. The closet term is part of a continuum: one marked by intersecting moments of connectivity. In this article, the authors assess the term mainly in relation to a pre-computer era, a personal computer era and a mobile computer, smartphone era.
机译:该文本的综合来自对“壁橱”一词的当代评价及其自控制论出现以来的当前文化地位。作者的断言是,这种隐喻植根于已故资本主义家庭的肖像画中,它正处于过渡和不断重新定义的时刻。在本文中,作者探索和评估了同性恋通过仪式的三种基本现代表现形式,以及它们如何在新媒体和移动技术的推动下被过时,改编或在某些方面加以催化。这些变化的图表被评估为“酷儿文化中的一种节点现象”,并与米歇尔•福柯(Michel Foucault)的异位概念相结合,以更好地探索这种变化情况的空间品质。壁橱一词是一个连续体的一部分:一个以相交的相交时刻为标志。在本文中,作者评估了该术语,主要涉及预计算机时代,个人计算机时代和移动计算机,智能手机时代。

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