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FROM SINGA TO NAGA PADOHA, THE MAKING OF A MAGICAL CREATURE

机译:从新加坡到纳加帕多哈,神奇的创造

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One of the most treasured objects in Indonesian collection of the Tropenmuseum in Amsterdam is a pustaha, an ancient book used by Batak priests in north Sumatra. It is unique for its size, decoration and content. It was collected around 1852 and has been on public display ever since: first in the Ethnographic Museum of the Zoological Society in Amsterdam, then at the Colonial Museum, and finally, the Tropenmuseum. The book has drawn attention because of the large creature carved on it - variously interpreted as a singa (a mythical lion) and later, as a Naga Padoha, the mythical snake of the primordial waters. Another fascination of westerners with this book was its content of gruesome sorcery and magical practices. This stereotyped the image of the Batak as ferocious, primitive and heathen - a view held even by museum curators that has prevailed for more than a hundred years. However, a new perspective which takes into account the anthropology of the senses and other ways of looking at the book would show different aspects of the culture, such as its use by its indigenous owners and thus putting it into context and shedding light on its people and culture without the sensationalism.
机译:pustaha是印尼Tropenmuseum博物馆印度尼西亚收藏中最珍贵的物品之一,是北部苏门答腊岛的Batak牧师使用的一本古老书籍。它的大小,装饰和内容都很独特。它收集于1852年左右,此后一直在公众面前展出:首先是阿姆斯特丹动物学会的人种学博物馆,然后是殖民地博物馆,最后是Tropenmuseum。这本书之所以受到人们的关注,是因为上面刻着巨大的生物-各种各样地被解释为“ singa”(神话中的狮子),后来又被解释为“ Naga Padoha”,即原始水域中的神话蛇。西方人对这本书的另一个着迷是它可怕的巫术和魔法实践的内容。这将巴塔克人的形象定型为凶猛,原始和异教徒,即使是博物馆策展人所拥有的观点也已经流行了一百多年。但是,考虑到感官的人类学和看书的其他方式的新观点将显示文化的不同方面,例如其土著所有者对其的使用,从而将其置于上下文中并向其人们照射和文化没有轰动性。

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