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BACK TO THE GARDEN

机译:回到花园

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In 2013, while walking through new york city on the Sunday before Earth Day, I received a visitation from the Holy Spirit. The occasion was an ordination ceremony over which I had been asked to preside. Two friends were taking the plunge into ordained ministry, and they had asked me-I'm a minister myself, at a 125-year-old church in Greenwich Village with a long history of progressivism and social activism-to give them a "charge," an inspirational mini-sermon, before releasing them into the wild as card-carrying clergy. But something strange happened to me that morning as I began assembling and arranging the robes, stoles, and Bibles that these two new ministers were to be presented with. It started when I couldn't help noting a poignant irony in the stylized symbols-doves, olive branches, rushing springs-that we churchfolk are forever emblazoning onto our sacred objects. These symbols were now laid out before me: metaphors, respectively, for Christian ideals of spirit, grace, and the rebirth of baptism.
机译:2013年,在地球日前的星期天,我穿过纽约时,我受到了圣灵的探视。那个场合是我被要求主持的主持仪式。有两个朋友想参加任命的事工,他们问我-我本人是牧师,在格林威治村的一座有着125年历史的进步主义和社会行动主义教堂里,给我一个“指控” ”,是一部鼓舞人心的小型讲道,然后将其作为携带卡片的神职人员放任至野外。但是那天早上,当我开始组装和整理这两位新牧师将要穿着的长袍,披肩和圣经时,我发生了一件奇怪的事情。它始于我不禁在程式化的符号(鸽子,橄榄树枝,奔涌的泉水)中发出强烈的讽刺意味,而我们教堂的人们永远将它们刻在神圣的物体上。这些符号现在摆在我面前:分别是基督教精神,恩典和洗礼重生的理想隐喻。

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  • 来源
    《Onearth》 |2014年第2期|25-26|共2页
  • 作者

    MICHAEL ELLICK;

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  • 入库时间 2022-08-17 13:50:06

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