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SCHUBERT/SCHUMANN

机译:舒伯特/舒曼

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He plays Schubert like he's duelling the devil on a hickory stump, does Henning Kraggerud, who joins the celebrated Norwegian pianist to play viola on the Schubert sonata originally written for the short-lived six-stringed arpeggione. His viola's edgy overtones sit keenly on top of Cimse's soft-sounding piano, which is somewhat enclosed within a small room acoustic, and all is captured with such clarity that there's no hiding Kraggerud's regular intakes of breath and audible exhalations at just how fabulous it all is. But Gimse is the star here, with the beautiful and varied Schumann 'Scenes from Childhood' and back to Schubert for his gloomy but finger-bending A minor piano sonata, both delivering excellent dynamics despite that merest hint of underlying softness.
机译:Henning Kraggerud加入了著名的挪威钢琴家行列,为​​舒伯特奏鸣曲演奏中提琴,原本是为短命的六弦琶音而创作的,他像在山核桃树桩上与魔鬼决斗一样演奏舒伯特。他的中提琴前卫的音调敏锐地坐在Cimse轻柔的钢琴上,该钢琴有些封闭在一个很小的房间内,并且所有声音都被清晰地捕捉到,以至于Kraggerud的常规呼吸和可听见的呼气都掩盖不了一切是。但是金斯(Gimse)是这里的明星,美丽而多变的舒曼(Schumann)的《童年情景》(Scenes from Childhood),再回到舒伯特(Schubert),虽然他阴郁而又曲折的《小钢琴奏鸣曲》,尽管略微暗示了其柔软性,但两者均具有出色的动力。

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    《Hi-Fi news》 |2011年第13期|p.81|共1页
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