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BACK WHERE THEY BELONG

机译:回到他们的贝隆

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While all 30 or so pairs of the limited edition 'The Sonus faber' were quickly snapped up, some found it to be too much of a departure from the signature look of this revered Italian house. With Aida, the company wisely reverted to the more curvaceous lines expected of the brand. With Aida, Sonus faber has again devised a new shape that will have its rivals crying onto their graphics tablets. It possesses the 'lute' cross-section that made the Guarneri and its offspring so noteworthy, but the new look encases the core speaker in a wooden wrap to add depth and detail. It is a tour de force, and I for one can't wait to see a version in the 'blonde' wood used for the recent Anniversary models, as well as any smaller versions Aida might spawn. Sonus faber has done it again.
机译:限量版“ The Sonus faber”的全部30双左右都很快被抢购一空,但有人发现这与这间受人尊敬的意大利房屋的标志性外观有很大出入。借助Aida,该公司明智地恢复了该品牌所期望的更为弯曲的线条。借助Aida,Sonus faber再次设计了一种新形状,其竞争对手将在其图形输入板上哭泣。它具有“琵琶状”的横截面,使瓜纳里及其后代非常引人注目,但新外观将核心扬声器包裹在木质包裹物中,以增加深度和细节。这是一次巡回演出,我迫不及待地想看到用于最新周年纪念款的“金发”木雕版本,以及艾达可能推出的任何较小版本。 Sonus faber又做了一次。

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    《Hi-Fi news》 |2012年第4期|p.23|共1页
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