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Hickory And Ashblanket Chest

机译:山胡桃和灰毯子的胸部

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摘要

When thumbing through furniture books, I find myself drawn to long, low chests, similar to the wooden chests my folks had in our living room when I was a kid. So when I was invited to participate as a guest artist in the New Hampshire Furniture Masters Association's 2008 auction, a blanket chest was one of the three proposals I submitted, and this is the piece the jury chose. To present my proposal, I offered scaled drawings that gave top, front, and end views. The process of drawing usually lets my mind walk through the fabrication so that I'm sure the piece will work. Everything comes off the drawings. When things get tricky, like angled or intricate joinery, I go back to them, laying pieces right on the full-size drawings to physically check measurements and angles. I did full-sizers of the leg blank and the ends, and to be extra sure I made story sticks to lay out the frames and panels.
机译:当翻阅家具书籍时,我发现自己被低矮的长长的箱子所吸引,类似于我小时候人们在客厅里的木制箱子。因此,当我应邀作为客座艺术家参加新罕布什尔州家具大师协会的2008年拍卖会时,毯子箱是我提交的三个建议之一,这是陪审团选择的作品。为了提出我的建议,我提供了按比例绘制的图纸,并给出了俯视图,前视图和端视图。绘画的过程通常让我全神贯注于整个制作过程,因此我确信该作品会奏效。一切都脱离图纸了。当事情变得棘手时,例如有角度的或复杂的细木工,我会回到它们身上,将零件直接放在全尺寸图纸上,以物理检查尺寸和角度。我对腿毛和端部进行了全尺寸测量,并且要确保我制作了故事杆来布置框架和面板。

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