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Feminist Discourse and the Hegemonic Role of Mass Media

机译:女性主义话语与大众传媒的霸权作用

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摘要

There has been a notable cultural trend in which feminist concerns are conveyed through many popular culture texts in South Korea since the early 1990s. Many different social groups and organizations have been engaged in the formation of feminist discourse in popular culture, among them the mainstream media. To broadly address the role of media in incorporating feminist discourse within the dominant ideology in specific socio-economic contexts, the research sought to identify the ways in which feminist discourse was generated and/or assimilated into the dominant ideology in newspaper content about the messages in the two television dramas Lovers (1996) and The Woman Next Door (2003) and other socio-cultural phenomena surrounding the dramas. Newspaper content became more favorable to the sexually liberated female characters and acknowledged changing gender roles as a current socio-cultural trend. However, it never questioned the nuclear family system itself—which occupies the hegemonic realm in patriarchal capitalist society.
机译:自1990年代初以来,在韩国已经出现了一种显着的文化趋势,即通过许多流行文化文本传达了对女性主义的关注。许多不同的社会团体和组织都参与了流行文化中女性主义话语的形成,其中包括主流媒体。为了广泛探讨媒体在特定社会经济背景下将女性主义话语纳入主流意识形态的作用,该研究试图确定女性主义话语的产生方式和/或被报纸内容中的主流意识形态吸收的方式。两部电视剧《恋人》(1996年)和《隔壁的女人》(2003年)以及这些戏剧周围的其他社会文化现象。报纸的内容对性自由的女性角色变得更加有利,并且承认改变性别角色是当前的社会文化趋势。但是,它从未质疑过核家庭体系本身,它占据了父权制资本主义社会的霸权领域。

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