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Portrayals of Endangered Species in Advertising: Exercising Intertextuality to Question the Anthropocentric Lens

机译:广告中濒临灭绝物种的刻画:行使互文性质疑人类中心镜头

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摘要

This paper examines recent advertisements used by the World Wildlife Fund (WWF) to raise awareness about the predicament of endangered, vulnerable, and threatened species. By engaging in a critical discourse analysis of a selection of advertisements, this study demonstrates how the WWF uses intertextuality as a discourse strategy to articulate its message and objectives. In this paper, I argue that by engaging in the juxtaposition of various paratexts ("layers of meaning"), the WWF produces a narrative which reveals an anthropocentric lens through which we view the world. The advertisements are found to resort to paratexts of anthropomorphism with the intent of extending the bounds of personhood to non-human animal species. In closing, I maintain that intertextuality is employed not only to question the dominant human-centric paradigm, but serve the heuristic function of encouraging a more empathetic identification with the animals in question and the creation of a more holistic worldview.
机译:本文研究了世界野生动物基金会(WWF)最近使用的广告,以提高人们对濒临灭绝,脆弱和受威胁物种的困境的认识。通过对广告的选择进行批判性话语分析,本研究证明了世界自然基金会如何将互文性作为一种话语策略来表达其信息和目标。在本文中,我认为,世界自然基金会通过参与各种副文本(“意义层”)的并置,产生了一种叙事,揭示了人类中心的视角,通过它我们可以观看世界。人们发现这些广告诉诸于拟人化的副文本,目的是将人的范围扩展到非人类动物物种。最后,我坚持认为互文性不仅被用来质疑以人为中心的主流范式,而且还具有启发性的功能,即鼓励人们对这些动物更加同情,并建立更加整体的世界观。

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