The neat streets of Oslo are not a natural setting for crime fiction. Nor, with its cows and country smells, is the flat farming land of Sweden's southern tip. And Reykjavik, Iceland's capital, is now associated more with financial misjudgment than gruesome murder. Yet in the past decade Nordic crime writers have unleashed a wave of detective fiction that is right up there with the work of Dashiell Hammett, Patricia Highsmith, Elmore Leonard and the other crime greats. Nordic crime today is a publishing phenomenon. Stieg Lars-son's Millennium trilogy alone has sold 27m copies, its publishers' latest figures show, in over 40 countries. The release this month in Britain and America of "The Girl with the Dragon Tattoo", the film of the first Larsson book, will only boost sales.
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