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Modern man

机译:现代人

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In recent decades Frank Stella, who is almost 80, has seemed increasingly out of step. A champion of pure abstraction in an age that distrusts purity and prefers its art to be topical, he is a survivor from a bygone era when artists conceived their mission as a heroic and hermetic pursuit. This aloofness is something Mr Stella relishes, claiming to have no interest in contemporary trends and dismissing Jeff Koons (to name one prominent target) as an artist for people with more money than taste. But a new show at the Whitney Museum, organised with the Modern Art Museum of Fort Worth, reveals an artist more relevant than either he or his critics care to admit. The comparison with Mr Koons is particularly apt, since the current one-man retrospective is the first the Whitney has put on since its Koons show last year.
机译:近几十年来,将近80岁的弗兰克·斯特拉(Frank Stella)似乎越来越与时俱进。他是一个在不信任纯洁并喜欢其艺术成为时下流行的时代的纯抽象冠军,他是过去时代的幸存者,当时艺术家将他们的使命视为英雄和封闭的追求。斯特拉(Stella)先生津津乐道的是,他过于冷漠,声称自己对当代趋势不感兴趣,并辞掉了杰夫·昆斯(Jeff Koons)(仅举一个著名的目标)为那些钱多于品味的人的艺术家。但是,与沃思堡现代艺术博物馆合办的惠特尼博物馆的一场新展览却揭示了一个比他本人或评论家所关心的更重要的艺术家。与昆斯先生的比较特别恰当,因为目前的单人回顾展是惠特尼自去年昆斯展以来首次进行的回顾。

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  • 来源
    《The economist》 |2015年第8963期|81-81|共1页
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  • 入库时间 2022-08-17 23:28:39

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