机译:1686–1688年,在白厅的詹姆斯二世天主教教堂中的音乐和音乐家
Peter Leech is currently an Honorary Research Fellow in the Department of History in the School of Arts and Humanities at Swansea University. He completed his PhD thesis, ‘Music and Musicians in the Stuart Catholic Courts, 1660–1718’ (Anglia Ruskin University) in 2004, and is now working on an interdisciplinary project dealing with aspects of music, art and literature associated with British Catholic recusant circles, at home and abroad, during the 17th and early 18th centuries. An international award-winning choral conductor, he is Musical Director of Harmonia Sacra, Cappella Fede, Collegium Singers and Aylesbury Choral Society. As a musicologist he has produced scholarly articles and reviews for Early Music, Music & Letters, Eighteenth-century music and Archivum Historicum Societatis Iesu, as well as numerous papers for international conferences on Baroque music. www.peterleech.com;
机译:1688年在德拉蒙德城堡(Drummond Castle)的珀斯教堂伯爵和詹姆斯的罗马天主教建筑Ⅶ
机译:突破职业:澳大利亚音乐家联盟,移民音乐家和第二次世界大战后的澳大利亚音乐产业
机译:国王的三张脸:皇家美国的兴衰,1688年至1776年。布兰登·麦康维尔(Brendan McConville)。 (教堂山:北卡罗来纳大学出版社,2006年。xviii,322页,39.95美元,ISBN 978-0-8078-3065-9。)
机译:音乐家与非音乐家之间的语音处理的差异:持久性提示的作用
机译:乔治二世(R. 1727-1760)法院的音乐(HANDEL,CHAPEL ROYAL,国王乐队)。
机译:音乐节奏对听音乐的音乐家和非音乐家的情感体验的影响
机译:Empress Eleonora II的音乐教堂。在维也纳的意大利主导机构历史上研究了与源相关的困难(1657-1686)