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A CONVERSATION PIECE

机译:对话篇

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FA I'd like to begin by proposing a few notes which could serve as points of departure for our conversation. Our recent survey of Italian architecture revealed a concentration of quality results in the north, and a fair number in the south, while central Italy appears to produce few projects. Would you go along with this view? My second observation is that the works we have seen seem to owe a recognisable debt, on one hand, to what was once called International Style, and on the other to Spain and Portugal. Furthermore, whereas previously a variety of schools derived from the Polytechnics were more or less recognisablern- and onto which excellences and epigones were graftedrn- postgraduate architectural training today has tended to drive out such schools or to merge them together.
机译:FA,我想提出一些笔记,作为我们谈话的出发点。我们最近对意大利建筑的调查显示,北部集中了高质量的结果,南部集中了很多结果,而意大利中部似乎很少产生项目。您会同意这种观点吗?我的第二个观察结果是,我们看到的作品一方面归功于可识别的债务,一方面归功于曾经被称为“国际风格”的东西,另一方面归功于西班牙和葡萄牙。此外,尽管以前从理工学院派生出来的各种学校或多或少地被认可,并且在其上嫁接了卓越和显赫的知识,但如今的研究生建筑培训却倾向于驱逐此类学校或将它们融合在一起。

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    《Domus》 |2009年第10期|6567-69|共4页
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  • 入库时间 2022-08-18 01:04:14

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