When I consolidated my business as a New York City-based DP two years ago, one of my initial investments was in a VariCam LT, which I've since used to shoot a wide variety of fashion projects, commercials, music videos, narrative work and other branded content. My work has expanded to the extent that I recently added another camera, the VariCam 35. Shooting in 4K and 2K with two of the best cinema cameras on the market, certainly with the best looks and color rendition, I realized I needed to step up from a seven-inch OLED monitor, which just wasn't proving big enough to handle low-light shooting, and wasn't giving me enough information to make critical decisions.
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