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Hatsune Miku: an uncertain image

机译:初音未来:Anse

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In this article, we discuss the vocaloid pop star Hatsune Miku as an uncertain image, which embodies networks of fans functioning as cultural producers, making it unclear whether creative statements are affectively dialogical or function as entrepreneurial campaigning. Here we describe Hatsune Miku as an image that is not only desired by fans, but that itself desires. We critically debate the affective investments and distributed ownership in the attention economy in relation to the cultural phenomenon of Hatsune Miku, and consider the pop star to be continuously animated, produced, circulated and consumed by fans, while profit is channeled back to the-company behind the image: Crypton Future Media. We further argue that this channeling has been enabled by new digital infrastructures, creating a risk that networks of fans' affections and desires may be transformed and mutated into feelings that are entangled with commercial interests, thus producing uncertain images of desire such as Hatsune Miku.
机译:在本文中,我们将人声流行歌手Hatsune Miku视为不确定的形象,它体现了作为文化生产者而发挥作用的粉丝网络,因此不清楚创意性陈述是情感上的对话还是企业家活动。在这里,我们将初音未来描述为不仅是歌迷想要的图像,而且本身就是人们想要的图像。我们就与初音未来的文化现象进行批判性辩论,关注经济中的情感投资和所有权分配,并认为流行歌星是持续不断的动画,制作,发行和由粉丝消费,而利润却被返还给公司图片背后:Crypton Future Media。我们进一步争辩说,这种渠道是由新的数字基础架构实现的,这带来了一种风险,即粉丝的情感和欲望网络可能会转变并变异为与商业利益纠缠在一起的感觉,从而产生不确定的欲望形象,例如初音未来。

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