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Livestream Experiments: The Role of COVID-19, Agency, Presence, and Social Context in Facilitating Social Connectedness

机译:Livestream实验:Covid-19,机构,存在和社会背景在促进社会关联中的作用

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Musical life became disrupted in 2020 due to the COVID-19 pandemic. Many musicians and venues turned to online alternatives, such as livestreaming. In this study, three livestreamed concerts were organized to examine separate, yet interconnected concepts—agency, presence, and social context—to ascertain which components of livestreamed concerts facilitate social connectedness. Hierarchical Bayesian modeling was conducted on 83 complete responses to examine the effects of the manipulations on feelings of social connectedness with the artist and the audience. Results showed that in concert 1, where half of the participants were allowed to vote for the final song to be played, this option did not result in the experience of more agency. Instead, if their preferred song was played (regardless of voting ability) participants experienced greater connectedness to the artist. In concert 2, participants who attended the concert with virtual reality headsets experienced greater feelings of physical presence, as well as greater feelings of connectedness with the artist, than those that viewed a normal YouTube livestream. In concert 3, attendance through Zoom led to greater experience of social presence, but predicted less connectedness with the artist, compared to a normal YouTube livestream. Crucially, a greater negative impact of COVID-19 (e.g., loneliness) predicted feelings of connectedness with the artist, possibly because participants fulfilled their social needs with this parasocial interaction. Examining data from all concerts suggested that physical presence was a predictor of connectedness with both the artist and the audience, while social presence only predicted connectedness with the audience. Correlational analyses revealed that reductions in loneliness and isolation were associated with feelings of shared agency, physical and social presence, and connectedness to the audience. Overall, the findings suggest that in order to reduce feelings of loneliness and increase connectedness, concert organizers and musicians could tune elements of their livestreams to facilitate feelings of physical and social presence.
机译:由于Covid-19大流行,2020年的音乐生活变得扰乱。许多音乐家和场地转向在线替代品,如即将到来的。在这项研究中,组织了三个即兴演奏的音乐会,以检查单独但相互连接的概念 - 机构,存在和社会背景 - 确定即兴演奏的哪些组成部分促进社会联系。分层贝叶斯建模是在83个完全反应中进行的,以检查操纵对与艺术家和观众的社会联系感的影响。结果表明,在音乐会1中,允许一半的参与者投票投票参加最后的歌曲,这一选择没有导致更多机构的经验。相反,如果他们的首选歌曲被播放(无论投票能力),参与者对艺术家的关联效果更加联系。在音乐会2中,与虚拟现实耳机出席音乐会的参与者经历了更大的身体存在感,以及与艺术家的联系方式更大,而不是那些观看正常的Youtube Livestream的情绪。在音乐会3中,通过Zoom出勤导致社会存在的更大经验,但与普通的YouTube Livestream相比,与艺术家的关联程度较少。至关重要的是,Covid-19(例如,孤独)的更大负面影响预测与艺术家的关联情绪,可能是因为参与者通过这种逐步互动实现了他们的社会需求。检查所有音乐会的数据建议,物理存在是与艺术家和观众的关联性的预测因素,而社会存在只预测与观众的关联。相关分析显示,孤独和孤立的减少与共享机构,身体和社会存在和关联的感受相关。总的来说,调查结果表明,为了减少孤独和增加关联的感受,音乐会组织者和音乐家可以调整他们的活跃的元素,以促进身体和社会存在的感受。

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