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Decoding the Visual Characteristics of Chinese Painting Strokes-A Study on Gao Gu You Si Stroke

机译:解读中国绘画笔画的视觉特征 - 高顾你中风的研究

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The architect Le Corbusier once said this theory: Design has local characteristics and universal characteristics. Local characteristics are greatly influenced by culture. The strokes are the one essence of Chinese painting that characteristics of the strokes are unique to Chinese visual culture. Among Chinese painting strokes, Eighteen Strokes are the typical representative of the aesthetics of Chinese visual culture. However, the current research on the cultural characteristics of Eighteen Strokes is insufficient. The objective of this article is taking Xie He’s Six Canons as the theory to decode the content of the aesthetic characteristics of the Gao Gu You Si Stroke (one of the Eighteen Strokes), then to get the visual cultural characteristics of Chinese painting strokes and the fundamental perspective characteristics of the inheritance visual cultural. Based on this, this article will use the Content Analysis Approach to conduct research, by decoding the aesthetic content of the Chinese painting strokes to construct the personality and characteristics required by Chinese visual design.
机译:建筑师Le Corbusier曾经说过这个理论:设计具有本地特征和普遍的特征。局部特征受到文化的大大影响。笔画是中国绘画的一个本质,即招步的特征对中国的视觉文化是独一无二的。在中国绘画中风中,十八张招是中国视觉文化美学的典型代表。然而,目前对十八张抚摸的文化特征的研究不足。本文的目标是以谢他为六个大通作为理论解释了高顾你中风的审美特征的内容(其中一个十八招),那么了解中国绘画笔画的视觉文化特征继承视觉文化的基本透视特征。基于这一点,本文将使用内容分析方法进行研究,通过解释中文绘画笔划的审美含量来构建中国视觉设计所需的人格和特征。

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