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Disasters, Vulnerability, and Narratives: Writing Haiti’s Futures, by Kasia Mika

机译:灾难,脆弱性和叙述:写作海地的期货,由Kasia Mika

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摘要

Published by the Routledge Studies in Hazards, Disaster Risk and Climate Change, Disasters, Vulnerability, and Narratives analyzes seven literary works, both fictional and biographical, that narrate, represent, and grapple with the 2010 earthquake and subsequent recovery in Haiti. It argues that “the January disaster might have flattened the city but it did not level social inequalities and compound vulnerabilities which directly contributed to the scale of this processual disaster and its unfolding aftermath” (p. 13). Kasia Mika’s literary analysis incorporates the voices of authors, a poet-writer,first-time writers, a political observer, a Christian evangelical charity organization worker, and young adult novelists. She proposes that unlike short-term, sensational media accounts, novels and other literary works give readers a more complex sense and taste of the world and disaster experiences. The book makes three central arguments that serve as a foundation for countering dominant, and oft-disempowering, discourses of Haiti and the 2010 earthquake. First, the disaster of 2010 was not a one-time, singular event but indeed a process, making it imperative to bring the colonial historic context and slow progression of risk and systemic vulnerability to the fore. Second, there is no one, homogeneous account and lived experience of the 2010 disaster (or any disaster). And third, new, empowering narratives of Haiti exist and are much needed.
机译:通过恐怖,灾害风险和气候变化,灾害,脆弱性和叙事以及叙述的恐慌,灾害,脆弱性和叙事的出版,分析了七种文学作品,包括叙述,代表和抓住2010年地震和海地随后的恢复。它辩称,“1月灾难可能已经奉承了这座城市,但它没有级别的社会不平等和复合脆弱性,这些脆弱性直接导致了这种处理灾难的规模及其展开的后果”(第13页)。 Kasia Mika的文学分析包括作者的声音,诗人作家,首次作家,政治观察员,基督教福音派慈善组织工作者和年轻的成人小说家。她提出与短期,耸人听闻的媒体账户,小说和其他文学作品不同,使读者更复杂的世界和灾难的味道。这本书制作了三个中央论点,该论点是对抗主导地位的基础,以及违反海地和2010次地震的士兵。首先,2010年的灾难不是一次性单一的活动,但实际上是一个过程,使得殖民历史背景的迫切需要,风险和全身脆弱性进展缓慢。其次,2010年灾难(或任何灾难)没有人,同质叙述和生活经验。第三,新的,赋予海地的叙事权,存在并需要。

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