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Contemporary georgian architectural theory and practice: the legacy of Shota Bostanashvili

机译:当代格鲁吉亚建筑理论与实践:Shota Bostanashvili的遗产

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Shota Bostanashvili (1948-2013), a practising architect and a pioneer in developing thepoetics of architecture, was a cultural theorist. His philosophy centred around anarchitectural discourse specifically addressing architecture and linguistic play, andthe semiotics of architecture. The objective of this paper is to identify the themesunderpinning his philosophy of architecture and his legacy relative to hiscontemporaries. This paper is based on primary sources including Bostanashvili’sbuildings, monuments and publications together with unpublished material from theShota Bostanashvili Archive (Tbilisi). Reference is also made to video footage from theGeorgian Public Broadcast, conferences and other sources. This paper concludes byidentifying outstanding milestones in Bostanashvili’s legacy, both on a pragmatic anda theoretical level. The former relates to the poetics and metapoetics of architecturewhilst the latter correlates to architecture as a unique individual spiritual experienceand to the poetics of space as part of cultural history rather than phenomenology.He opted for paper architecture as a mode of abstract and poetic expression toapproach architecture design education. This paper delves into the margins ofnormative European architectural historiography. It is a first in documenting in detailthe legacy of Shota Bostanashvili, an outstanding Georgian architect, academic,sculptor and poet who is barely known in Western countries, thereby highlighting hisimpact on the theory of architecture.
机译:Shota Bostanashvili(1948-2013),练习建筑师和开发建筑工程的先驱,是文化理论家。他的哲学中心是一个专门寻求建筑和语言游戏的建筑话语,以及建筑的符号学。本文的目的是识别他对其建筑哲学的主题和他的遗产相对于他的联邦赛。本文基于主要来源,包括Bostanashvili'sBuildings,纪念碑和出版物以及来自TheLoza Bostanashvili Archive(第比利斯)的未发表的材料。还参考了乔治吉亚公共广播,会议和其他来源的视频素材。本文在务实的和理论层面上,在Bostanashvili遗留的遗产中得出结论。前者涉及建筑的诗学和元平,后者与建筑作为一种独特的个人精神体验,作为文化历史的一部分,而不是现象学。他选择了纸质建筑作为抽象和诗意表达的模式设计教育。本文读到了欧洲建筑史的边缘。它是第一个在详细的文献中,散系Bostanashvili的遗产,一个优秀的格鲁吉亚建筑师,学术,雕塑家和诗人,他在西方国家几乎不知所措,从而突出了架构理论的影响。

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