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Light Art for Historical Buildings: A Case Study of the Heritage Buildings in George Town, Penang Island

机译:历史建筑的轻艺术:以槟城岛乔治市的历史建筑为例

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Light art has been used for heritage buildings to express their cultural, historical and visual importance. But what was needed for the buildings and what was initially required? These are the main issues, which surfaced when our urban architecture became more influenced by state-of-the-art aesthetics than ethics in conservation and professional conduct. The objectives of this paper are to outline the features of light art used around George Town–a UNESCO World Heritage Site–and to raise questions on how to strike a balance between aesthetics and ethics in its design. The observations done around George Town led to more specific branches that define light art for historical buildings, aesthetics, the quality of light and building conservation. It is quite obvious that designers must balance design sustainability with technical sustainability by fully expanding the spectrum of the design's aesthetic, historical and functional needs.
机译:轻型艺术已被用于文物建筑,以表达其文化,历史和视觉重要性。但是建筑物需要什么,最初需要什么呢?这些是主要问题,当我们的城市建筑受到最先进的美学的影响比保护和专业操守方面的道德影响更大时,这些问题就浮出水面了。本文的目的是概述被联合国教科文组织列为世界遗产的乔治敦周围使用的轻型艺术的特征,并提出有关如何在设计中实现美学与伦理之间的平衡的问题。围绕乔治敦所做的观察导致了更具体的分支机构,这些分支机构定义了历史建筑,美学,照明质量和建筑保护方面的照明艺术。很明显,设计师必须通过充分扩展设计的美学,历史和功能需求的范围来平衡设计的可持续性与技术的可持续性。

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