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At the Deathbed of Consumptive Art

机译:在消费艺术的临终前

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For more than a century, readers have pondered the strangebeginning to one of the most haunting poems in theEnglish language, "Requiem." Who has not wondered how apoet can seem to welcome his own death. Scotsman RobertLouis Stevenson died of a disease so poorly understood in hisday that over a few decades its preferred name changed threetimes, from "phthisis" to "consumption" to "tuberculosis." Acentury later, we have reliable scientific facts on this "old"poet-killing disease—we know for one that Mycobacteriumtuberculosis now infects 1.9 billion people, nearly a third ofthe world's population (nearly 2 million deaths each year). Buthuman suffering is still difficult to quantify
机译:一个多世纪以来,读者一直在思考奇怪的开端,这是英语中最令人困扰的一首诗《安魂曲》。谁没有想到apoet似乎可以欢迎自己的死。苏格兰人罗伯特·路易斯·史蒂文森(RobertLouis Stevenson)死于一种疾病,在他的时代,人们对​​此知之甚少,以至于几十年来,它的首选名称从“ phthisis”到“ consumption”再到“结核病”都变了三次。一个世纪以后,我们对这种“古老的”杀人诗有了可靠的科学事实-我们知道,结核分枝杆菌目前感染19亿人,占世界人口的近三分之一(每年约200万人死亡)。但是人类的苦难仍然难以量化

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