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Kathleen Rowe Karlyn and feminist genres of laughter

机译:凯瑟琳·罗·卡琳(Kathleen Rowe Karlyn)和女性主义笑声

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Several years ago, Victoria Sturtevant and I began to plan an anthology of essays that would encompass the history of U.S. women comedians from the silent screen through cable television. Thinking about these outrageous bawds and wits, as well as the uncontrollable laughter they continue to incite, we kept coming back to a point made by Kathleen Rowe in her groundbreaking 1995 book The Unruly Woman: Gender and the Genres of Laughter . The power of funny women, says Rowe, is crystalized in the specific threat of “the female mouth and its dangerous emanations—laughter and speech” (43).
机译:几年前,我和维多利亚·斯特图万特(Victoria Sturtevant)开始计划一本论文选集,其中涵盖了从无声屏幕到有线电视的美国女性喜剧演员的历史。考虑到这些残酷的花花公子和机智,以及它们继续激起的无法控制的笑声,我们一直回到凯瑟琳·罗伊(Kathleen Rowe)在其开创性的1995年出版的《不守规矩的女人:性别与笑声》一书中提出的观点。 Rowe说,有趣的女人的力量体现在“女性的嘴和危险的表情-笑声和言语”的特定威胁中(43)。

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