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Between Neighborhoods (2017): documentary art, audiovisual scholarship, and the public humanities

机译:邻里之间(2017):纪录片艺术,视听奖学金和公众人文科学

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Since its creation for the 1964–65 New York World’s Fair, the Unisphere has surfaced time and time again in the background of commercial film and television. The gigantic steel armillary located in Flushing Meadows-Corona Park, Queens is used for establishing shots in works ranging from music videos (Cyndi Lauper’s Hey Now ) to sitcoms ( The King of Queens ), Hollywood features ( Men in Black ), and advertisements for the U.S. Open. While the Unisphere has become synonymous with the borough, the way it has been depicted in popular culture habitually ignores its origins and symbolic identity. In filmmaker and audiovisual historian Seth Fein’s award-winning experimental documentary, Between Neighborhoods (2017), the Unisphere takes center stage, not simply as an aesthetic object to be admired for its impressive design and scale, but as a prism to explore the transnational history and contemporary social geography of Queens.
机译:自从1964-65年纽约世界博览会成立以来,Unisphere在商业电影和电视的背景下一次又一次地浮出水面。皇后区位于法拉盛梅多斯-科罗纳公园的巨型钢铁军械库,用于拍摄音乐视频(辛迪·劳珀的《嘿现在》),情景喜剧(皇后之王),好莱坞特色电影(《黑衣人》)以及美国公开赛。尽管Unisphere已成为自治市镇的代名词,但它在流行文化中的描绘习惯性地忽略了其起源和象征性身份。在电影制片人和视听历史学家塞思·费因(Seth Fein)屡获殊荣的实验纪录片《邻里之间》(2017)中,Unisphere占据了中心位置,不仅仅是因为其令人印象深刻的设计和规模而受到赞誉的美学对象,而且还是探索跨国历史的棱镜和皇后区的当代社会地理。

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