Woven Identities: Socioeconomic Change, Women’s Agency, and the Making of a Heritage Art in J?lster, Norway

Sallie Anna Steiner

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Woven Identities: Socioeconomic Change, Women’s Agency, and the Making of a Heritage Art in J?lster, Norway

机译：编织身份：社会经济变化，妇女机构和挪威耶斯特（H？lster）的传承艺术品制作

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This article focuses on the recent history and contemporary practice of a kind of traditional tapestry weaving known as smettvev in the rural county of J?lster in mountainous western Norway. J?lster has a rich fibre arts tradition and a rapidly changing society and economy, which make it an exemplary study in material culture as its fibre arts transform to accommodate these changes. This article draws on ethnographic research and interviews with representative practitioners and community members to examine how conceptions about producer and audience identity and the role of this art form in everyday life have evolved in light of changing context. The article furthermore discusses the ways in which the forms and motifs associated with smettvev are being re-appropriated by local contemporary artists working in other mediums, as well as by individuals and institutions who see smettvev as a symbol of local identity and heritage.

机译：本文重点介绍挪威西部山区的J？lster县乡村一种称为smettvev的传统挂毯编织的近期历史和当代实践。吉斯特拥有丰富的纤维艺术传统，并且社会和经济瞬息万变，这使其成为物质文化中的典范研究，因为其纤维艺术为适应这些变化而转型。本文利用人种学研究方法以及对代表性从业人员和社区成员的采访，来研究关于生产者和受众身份的观念以及这种艺术形式在日常生活中的作用是如何根据不断变化的环境而演变的。本文进一步讨论了与smettvev相关的形式和主题如何被其他媒体中的当地当代艺术家以及将smettvev视为本地身份和遗产象征的个人和机构重新使用的方式。

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《Journal of Ethnology and Folkloristics》 |2016年第2期|共21页
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Sallie Anna Steiner;
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中图分类民族学;
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Woven Identities: Socioeconomic Change, Women’s Agency, and the Making of a Heritage Art in J?lster, Norway

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