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The Interplay between the Secular and the Sacred in The Canterbury Tales and Old English Poetry

机译:坎特伯雷故事与古英语诗歌中世俗与神圣的相互作用。

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The writings of Geoffrey Chaucer (1343-1400) are greatly influenced by former literary works, especially those by the Roman poets Boethius, Ovid and Cicero. His poetry treats contemporary themes within a framework that draws upon plots and subjects from preceding literature. However, Chaucer's later work The Canterbury Tales (1387-1400) tackles subjects and employs characters that reflect the spirit of England's Middle Ages. The General Prologue , among other tales that form Chaucer's The Canterbury Tales , treats the themes of the age through a context that creates an amalgamation of the mundane and the divine. The work deals with both religious and secular questions. A similar amalgamation is also evident in major earlier Old English poems as Beowulf (ca. 700-1000), The Dream of the Rood (ca. 700-9000), The Battle of Maldon (ca. 991) , The Wanderer (ca. 597) and The Seafarer (ca. 900). This paper aims to examine the impact of employing secular and sacred aspects on English Medieval literature, particularly Chaucer's The Canterbury Tales and the major Old English poems.
机译:杰弗里·乔uc(Geoffrey Chaucer,1343-1400年)的作品受到前文学作品的影响很大,尤其是罗马诗人Boethius,Ovid和Cicero的作品。他的诗歌在一个框架内处理当代主题,该框架借鉴了先前文学的情节和主题。然而,乔uc(Chaucer)的后来作品《坎特伯雷故事集(Canterbury Tales)(1387-1400)》处理主题并采用反映英格兰中世纪精神的人物。 《一般序言》以及乔uc的《坎特伯雷故事集》中的其他故事,通过创造平凡与神圣融合的情境来对待时代主题。该作品涉及宗教和世俗问题。类似的融合在早期的主要古英语诗作中也很明显,例如Beowulf(大约700-1000年),《圆梦》(大约700-9000年),Maldon战役(大约991年),Wanderer(大约90。 597)和海员(约900)。本文旨在探讨采用世俗和神圣的方面对中世纪英语文学的影响,特别是乔uc的《坎特伯雷故事集》和主要的古英语诗词。

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