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Art-geoscience encounters and entanglements in the watery realm

机译:艺术地球科学在水域中的遭遇和纠缠

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This paper critically explores a 40-year collaboration between a geomorphologist and a relief printmaker from the perspective of the emerging art-science paradigm in the geosciences. Drawing on the authors’ work and practice worldwide, ‘standard art-science’ (the artist as communicator and observer) and emerging ‘transdisciplinary/paradisciplinary’ practices are explored in the watery realm. While standard art-science ‘encounters’ were viewed favourably from the viewpoint of community engagement, especially by commissioning bodies, they did not measurably improve the explanation of science to the public nor offer new avenues for creative investigation. In light of this, the authors undertook a series of explicitly interdisciplinary/transdisciplinary ‘entanglements’ by co-conceiving projects, carrying out joint fieldwork and ‘data’ collection and, most importantly, working together in the studio and laboratory. These projects suggest that multi-scalar approaches are required when using art-geoscience to explore environmental issues which impact significantly on individuals and communities.
机译:本文从新兴的地球科学艺术科学范式的角度批判性地探讨了地貌学家和浮雕版画家之间长达40年的合作。借鉴作者在世界范围内的工作和实践,在水领域探索了“标准艺术科学”(艺术家作为交流者和观察者)和新兴的“跨学科/超学科”实践。虽然从社区参与的角度,特别是委托机构的角度来看,标准艺术科学的“遭遇”受到了好评,但它们并没有明显改善公众对科学的解释,也没有为创造性调查提供新途径。有鉴于此,作者通过共同构思项目,进行联合实地考察和“数据”收集,以及最重要的是在工作室和实验室中进行合作,进行了一系列明确的跨学科/跨学科“纠缠”。这些项目表明,在使用艺术地球科学探索对个人和社区有重大影响的环境问题时,需要采用多尺度方法。

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