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The Transnational Turn in African Literature of French Expression: Imagining Other Utopic Spaces in the Globalized Age

机译:非洲法国法语表达文学的跨国转向:想象全球化时代的其他主题空间

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This article focuses on African literature published since 2000 by authors of French expression. While contemporary authors’ subjects are varied—ranging from climate change, human rights, to ethnic cleansing—they also imagine new “what ifs” and other utopic spaces and places that extend beyond postcolonial, Africa-as-victim paradigms. Literarily, authors such as Abdelaziz Belkhodja (Tunisia) and Abdourahman A. Waberi (Djibouti) have effectuated a transnational turn. In this literary transnational turn, Africa is open to new interpretations by the African author that are very different from the more essentialist-based, literary-philosophical movements such as Negritude and pan-Africanism; cornerstones of the postcolonial literary frameworks of the past. Belkhodja and Waberi offer original narratives for Africa that, while describing their countries as utopias, also traverse the very dystopic realities of our time.
机译:本文重点介绍2000年以来由法国表达形式的作者出版的非洲文学。尽管当代作者的主题千差万别,从气候变化,人权到种族清洗,不一而足,他们还想到了新的“假设”以及其他主题空间和地方,其范围超出了后殖民地非洲被害者范式。从字面上看,诸如Abdelaziz Belkhodja(突尼斯)和Abdourahman A. Waberi(吉布提)之类的作家实现了跨国转折。在这种跨文化的文学转折中,非洲对非洲作家的新解释持开放态度,这些解释与以本质主义者为基础的文学哲学运动(例如,宽恕和泛非主义)大为不同。过去的后殖民文学框架的基石。贝尔霍贾(Belkhodja)和瓦贝里(Waberi)为非洲提供了原始的叙述,尽管将他们的国家描述为乌托邦,但它们也穿越了当今时代的错位现实。

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