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Folklore and Sociolinguistics

机译:民俗学和社会语言学

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Folklore and sociolinguistics exist in a symbiotic relationship; more than that, at points—in the ethnography of communication and in ethnopoetics, for example—they overlap and become indistinguishable. As part of a reaction to the formal rigor and social detachment of Chomsky’s theoretical linguistics, sociolinguistics emerges in the mid-twentieth century to assess the role of language in social life. Folklorists join the cause and bring to it a commitment to in-depth ethnography and a longstanding engagement with artistic communication. In this essay, I trace key phases in the development of this interdisciplinary movement, revolutionary in its reorientation of language study to the messy but fascinating realm of speech usage. I offer the concept of performative efficacy, the notion that expressive culture performances have the capacity to shape attitude and action and thereby transform perceived realities, as a means of capturing the continuing promise of a sociolinguistically informed folkloristics.
机译:民俗学和社会语言学是共生关系。不仅如此,在某些方面,例如在交流的人种志学和民族诗学中,它们重叠并且变得难以区分。作为对乔姆斯基理论语言学的形式严格和社会分离的反应的一部分,社会语言学在20世纪中叶出现,用以评估语言在社会生活中的作用。民俗主义者加入了这一事业,并致力于深入的人种学和长期从事艺术传播。在本文中,我追踪了这一跨学科运动发展的关键阶段,该运动在将语言研究重新定位为混乱但引人入胜的语言使用领域方面具有革命性意义。我提供表演效力的概念,即表达性文化表演具有塑造态度和行动,从而改变感知到的现实的能力的概念,以此作为获取社会语言学常识的持续承诺的一种手段。

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