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Invited by God onto the worship stage: Developing missional communities through participation in Theo-drama

机译:受上帝邀请进入敬拜阶段:通过参加神剧来发展宣教社区

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When the front of the church begins to resemble a stage and the preacher, musicians and other leaders act like performers whilst the congregation takes on the role of an audience, then something is wrong with worship. But not only with worship: something is wrong with the church. A church longing to be missional ? that is, a church in which all Christians are participants in the mission of God ? needs to express that participation in its worship. Theological dramatic theory shows us how the Trinity acts out a grand narrative in creation, redemption and glorification, and invites us to participate in the Story being performed. This same narrative can be present in worship and can invite our immediate participation. But this cannot happen if either God or the congregation is relegated to the role of mere audience. However, when the Story is told and performed in worship and when the worshipping community is able to participate alongside the Trinity in the Theo-drama of worship, then worship takes on the ability to form that community missionally. Worship is a habit repeated week after week; therefore, its power to transform a community into a missonal congregation is immense.
机译:当教堂的前部开始像一个舞台,并且传教士,音乐家和其他领导者像表演者一样行事,而会众则扮演听众的角色时,那么崇拜就有些问题了。但不仅是崇拜:教会有问题。渴望传教的教堂吗?那就是一个教会,所有基督徒都参与上帝的使命吗?需要表达对崇拜的参与。神学戏剧理论向我们展示了三位一体如何在创造,救赎和荣耀中表现出宏大的叙事,并邀请我们参加正在表演的故事。这种叙事可以出现在敬拜中,并可以邀请我们立即参与。但是,如果上帝或会众沦为纯粹的听众,这是不可能发生的。但是,在讲故事并进行礼拜表演时,以及当礼拜团体能够与三位一体一起参加礼拜式戏剧时,礼拜便具有在宣教中形成该社群的能力。礼拜是每周又一次重复的习惯。因此,它具有将社区转变为密宗会众的力量。

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